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I Stand Corrected

Rob Mills tells me he is not the brains behind Konk, but merely a pretty face as suggested in my previous post.  The writer/creator of Konk’s blog is in face Kit Pasold:

Kit asked if I would be interested in portraying Konk onscreen and I jumped at the chance to humiliate myself publicly on a regular basis. The actual shoot for this was, as you’ve described, very minimal but Kit has managed to create a pretty cool series of videos that are fun to make and very silly to watch. We’re both looking forward to doing more.

Nice work, Kit.  Looking forward to seeing more and to meeting you one of these days.

Konk

Konk's First Blog Entry

Rob Mills is always up to something cool, most recently he’s created Konk’s Blog, A Field Guide to the Monster Slaying.  A web series doesn’t have to be expensive or have enormous production values.  It needs to be creative and cool, as Rob so aptly proves.

He’s posted three episodes in the last three weeks and I suspect there are a whole lot more on the way.

Favorite Stupid Idea

Talk About Filling A Need

Applications to the Independent Production Fund‘s Web Drama Series Pilot Program were due yesterday.  This being the first time for the fund, no one had any real idea how many applications to expect.  I heard educated estimates around 100.

Well…

The tally is in.  There were 166 applications from across the country!

45 French.

121 English.

Wow.

Allow me to say once again, how much all of us appreciate the Board of the IPF having the wisdom to recognize the need and take the chance on this program.  You can see, we really appreciate it!

And thanks to Andra Sheffer for sharing these numbers and spearheading the whole thing.

And now, back to waiting.

Why Are You Pissing Me Off?

I’ve been working pretty hard lately so I was really looking forward to an evening off in front of the tv.  The PVR needs serious cleaning off because it’s getting too full.  I thought I’d start with Lost.  I have a lot of questions about Lost, the big one being is anyone really into this season?

But of course how could you be when the recording cuts out before the end?!  Who does that and why?  Is it the broadcasters trying to get you to watch live, so they run the show past the hour and your recording ends up cut off!  Why would you do that to a loyal fan struggling to enjoy the final season?

But hey, I didn’t get too upset.  Instead I switched over to On Demand where I figured I could catch the precious last few seconds of the episode.  You know I hate On Demand.  The worst interface ever.  But I sat through slow menu after slow menu, found my episode and had a little nap while it loaded.  Then I hit fast forward to get me to the spot where the PVR had cut out.

Guess what!  Fast forward didn’t work.  A little notice came on the screen along with a male voice over announcing that the controls are turned off for this episode. WTF?!  I can’t fast forward to where I left off?  I have to sit through the whole thing?  Plus ads?  I don’t think so.

Just for interest sake, I checked a bunch of other shows — some on CTV On Demand, some on Global — and several have this same thing: you can’t use the remote to fast forward, rewind or pause.

This is new, right?  I’ve never encountered it before.  Someone has decided to force us to watch commercials.  Who?  On Demand is Rogers, no?  Are they sharing this ad revenue with the broadcasters?  Hard to say, but given the whole CRTC kerfuffle about fee for carriage, I’m having trouble seeing these opposing teams working together against us the audience.  They prefer the solo approach to screwing us.

Next I tried to watch my recorded episode of Amazing Race, but most of what was recorded was 60 Minutes.  By now, my blood pressure is seriously up.  So I grab a computer to watch online on CBS.  There are the episodes but they too have disabled the controls, so you can’t fast forward, back up or pause and yes, you are forced to sit through commercial breaks.

Hasn’t everyone in the TV industry heard?  Consumers want their content when, where and how they want it.  Taking control out of their hands is no way to ensure the future of the business.  Pissing the audience off is no way to deal with falling viewership. And trying to force people to watch ads is not going to get them to buy the products, it’s going to make them HATE the brands.

These are the strategies of desperate companies.  They will only alienate your viewers and drive the demise of the copyright laws you so desperately cling too.

Wake up!

Start thinking creatively about your business.  The model doesn’t work anymore.  Let it go and come up with a new one.  Because I’m not hanging out for much more of this.

I’ve been seriously considering canceling my whole cable package.  You can grab a fair amount of HD out of the air with an antenna and the quality is better than what they serve up through the coax.  Between iTunes, eyeTV, DVDs and various work arounds you can get pretty much everything you want to see without shoveling your entire life savings into the cable provider’s bank account every month.  I’m fed up with paying that much money to get abused by a company that has so little respect for its clientele.

The Ultimate Interactive Doc Collection

At docSHIFT last night, Mark Greenspan, the ubercool new media producer and the guy who puts together NextMEDIA, gave a presentation on interactive docs.

Here are links to docs he talked about so you can go play around with them.  If you know of any docs that are missing from this list, let me know please.

the-big-issue.jpgBranching narratives:
USMOB

The Big Issue

Journey to the End of the Coal

Becoming Human

Empire of the Word

Database narratives:

Britain from Above

Gaza/Sderot

Remix Manifesto

GDP

Diamond Road Online

We Feel FineCondition Critical

Waterlife

Generation Tian’anmen Being Twenty in China

102 Minutes that Change America

We Feel Fine

Iron Curtain Diaries 1989-2009

Big Stories, Small Town

City Sonic

Breakout Online Gorilla GameGames:

Gone Gitmo

Breakout!

Projects with interesting business models:

Genomic Digital Lab

The Grid

Workout with Sydney Crosby  (This site wouldn’t load when I tried it, not sure if it’s a temporary problem.)

Pax Warrior

VBSTV  online broadcaster of news and documentary content.

Missing from Mark’s list:

Inside Disaster

Words, Sense and Money

AdWords logoGoogle sent me a coupon for $100 to use on AdWord recently. AdWords is for advertising your own product and is not to be confused with AdSense which allows you to put ads on your site and earn money from them. But AdWords is pretty confusing even if you know that.

Who’s gonna ignore a coupon for a hundred bucks? Why not try it out on Hailey Hacks, which I often refer to as my experiment in business models. So I set up an AdWords account and started goofing around with keywords and almost immediately gave up in confusions and reached out to Christopher Guest who is my go-to-guy for anything that has to do with advertising.

Christopher told me there was no point in advertising anything that didn’t have a revenue stream. Hailey Hacks is free on YouTube and various other video sharing sites. What is the point, he wanted to know, of driving traffic to a site that isn’t earning money.AdSense

Okay, good point. So in addition to figuring how what keywords to use and how the hell the whole bidding on words works, I decided to build a new little home site for Hailey that I could add AdSense to. Now when I make ads with AdWords, they’ll send clickers to the new site, titled Web Wizardry (but sitting at haileyhacks.blogspot.com.) So let’s see how much I can earn from AdSense from $100 in my AdWords (now $95 because of the activation fee.)

I made three different ads, one for the April Fools videos, one for the Google Maps video and one for the LOLcats video. If you happen to meet one of my ads, please let me know or better yet take a screenshot (you know how to take a screenshot, don’t you? Alt-shift-3.)

Amazon affiliates logoJust to see what would happen, I also turned on the pre-roll ad option on the videos over at Blip.tv. So now, the videos have pre-roll, overlay and post-roll ads on them. Soon, hopefully AdSense will be operational and if I have time, maybe I’ll add an Amazon affiliate program while I’m at it.

Lucky I didn’t read this piece about making money on the web by Roger Ebert before I spent my entire Saturday on this.

Fun With Technology

Poor Valerie Creighton.  Late Friday afternoon, a bulk email signed by her went out announcing the launch of the new CMF on Friday March 26. That’s the new and improved version of the Canadian Television Fund which, along with changing its name to the Canada Media Fund is going to usher the industry into the digital era.  From here on in, in order to be financed, television shows will have to have another platform.

Unfortunately whoever masterminded the bulk email forget to include the links to register for the “virtual launch and the two virtual Townhall Program Guideline Presentations later the same day.

Today comes the errata email with the links which take you to a site that doesn’t support FireFox.

Not with Firefox

The launch is being held Friday March 26 from 9 to 10 in both official languages.  You can attend virtually by clicking here to RSVP (but don’t use FireFox).  To register for the Guildelines Presentations, here for English and here for French.

Dreaming of Treme

Treme, from David Simon creator of The Wire, is premiering on HBO on April 11th.  I can’t wait.  I went over to the HBO Canada web site to watch some video but was totally disappointed by the piddly offerings which weren’t even embeddable (#fail, #fail, #fail).

At HBO US the offerings are better… and embeddable — although the YouTube channel is geo-blocked (go figure).

Here’s the trailer:

Treme (2010) Teaser Trailer (HQ)

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